Quite simply, multiple amps can look cool on stage. But have you ever noticed that when you run delay, reverb or chorus through your drive or high gain channel on an amp, it doesn’t sound right? Where I ran into trouble was the A/B Switch – it would “pop” like a mother on the 5150. In any case, for our purposes we can define a ground loop thus: “an obnoxious hum in your rig, probably caused by a demon or something.” The best way to get rid of this hum – short of perhaps an exorcism – is to isolate one of the amps from the ground (route to earth) of the other. You can throw it in your backpack and off you go. Stomp boxes that commonly feature stereo outputs include chorus, delay and reverb. An audible “pop” is not only distracting musically, but can damage sound equipment. And they might just make perfect sense for your rig, too. guitarists plugged their favorite tape delays and spring reverb effects directly into the front of their amps Please check the fields highlighted in red. ) stack but replaced it with a peavy 5150. If you have a posse of enormous roadies, you could even go all Mark Tremonti and have a couple of amps for your clean tones (often Fender combos, in his case) and then an A/B/Y setup for your heavy rhythm and leads. The Tech 21 Character Series amp-in-a-box units with cab simulation replaces the need for another cab on stage and the microphone on that cab and is a solid option. There's nothing else like it—the first and only, the TonewoodAmp is a must-have device for any acoustic guitar player. This software comes with 24 different amp cabinets and multiple parameters to practically change your sound in any way possible. I get the straight six strings in the amp and the “octave” strings in the PA, three strings in the left channel and three strings in the right, It’s a HUGE clean sound surrounding the listener all from on guitar. I use a Morley ABY pedal (around USD 50.00) as the last in my chain on the pedal board. Not all amps have an effects loop, but if yours does, you … Using a two amp rig is awesome. But for the working player who may not be able to afford—nor desire to haul—an exact duplicate, there are many alternatives. But more amps means more gear to haul, more time spent setting up and tearing down, and more open mics, which can cause feedback and phase issues. I am a huge fan of having two different sounds at once, where one sound makes up for the other’s deficiencies. Well, without getting too bogged-down in “science” and “facts” and “electricity doesn’t work like that, Nicholas”, let’s go ahead and examine some of the basic considerations for any guitarist looking to run more than one amplifier. Connecting two guitar amps together is a technique that many veteran guitar players use to expand their sound. And learning how to set up your pedal board properly is time well spent. George Lynch has been known to favor this method (he even has his own signature pedal for such capers), and many other players switch between different amps for different sounds. Otherwise I would just go mono with the left output. When you go see touring acts perform, you may notice that many pro players use two or more amps live. It’s pretty simple really, if your guitar amp isn’t set up correctly you won’t sound good. All rights reserved. Delay times don’t all have to be the same…. Since many vintage amp designs (and reissues of these classics) are single-channel, using both a high-gain and a clean amp lets you switch off as needed. Your purchases help youth music programs get the gear they need to make music. There are always a heap of things that can go wrong with any guitar rig, but when it comes to using more than one amplifier, I’m going to focus on two of the most common problems: The dictionary defines a ground loop as: “an unwanted electric current path in a circuit resulting in stray signals or interference, occurring for example when two earthed points in the same circuit have different potentials.” If, like me, you failed high school physics, now would be an appropriate time to say “Oh. They may not be all that sexy, but a well-organized pedalboard is a must for guitarists for both stage and studio use. If it is, you will. Many amps you purchase … Multiple stereo tremolos… you get the idea. Whether you’re in the studio or on stage, multiple amps blended together can complement each other. Do you have an article about A/B/Y setup where you have 2-3 amps on the clean, 1-2 amps on the dirty, have an optional tertiary style amp that you can rotate in when you want several types going all off at once and using the effects loop when necessary and how to wire all this up so a RJM GT MM can run it all? Set the tone controls to their neutral positions. Then route the amp's effect send into the amp-sim's aux in, and the amp-sims output into the amp's effect return. Well that’s an entirely different kettle of fish. Many players consider a vintage Fender combo to be ideal for clean tones and an iconic Marshall to be the classic dirty sound. There’s also a purely practical reason to tour with multiple amps: failure. In simple terms, W/D and W/D/W rigs involve one amp being fed an uneffected guitar signal whilst the effects go to the other(s), typically with the dry signal removed entirely. I can even go two heads into one cab if I want using an old Peavey 412 cab with stereo and mono inputs to cut down on my gear load in or if the stage is too small to accommodate two cabs. One of … Of the many products for guitars available, pedalboards are at the top of the list for best “bang for the buck” guitar gear. Copyright © 2020 Seymour Duncan. UNDER NO CIRCUMSTANCES should you try to be clever by removing or “lifting” the line ground from one of your amps. No amp. “But,” you persist, “what if I don’t want to run both amplifiers at the same time?”. Is that the cause of the out of control oscillation I am getting, since I have my amps side by side with the dry amp mic’d? Sounds amazing…. Sound is so brilliant and perfect combination to blues it just makes my sole sing. Only way I have used so far is having my stereo delay last in the chain and splitting from there. The Different Types of Guitar Amp Attenuators Passive Amp Attenuators. As an example, the legendary Eric Johnson—well known for his obsession with great tone—famously uses a pair of CBS-era Fender Deluxes for cleans, and a pair of 1959 Handwired Marshall Plexi Reissues for dirt with an A/B pedal to switch between them. hope you like it, like/comment/subscribe, many more videos to come! That way, I can take just one cabinet and run it in stereo (even though the speakers are only a few inches apart from each other) or taking both 2 x 12’s I can run the stereo L & R of two systems and spread them both out. The experience of playing on a proper w/d/w setup can be mind-blowing, and hearing one in person may well convince you that running 3 amps is worth the trouble. In any case, you can definitely create splendid tones with similarly voiced or even completely identical amplifiers. Oops, looks like you forgot something. Guitar is 1964 Rickenbacker 360/12 Export. First, decide on the kind of mic that will work with its partner. January 1965, with two like-new block logo JTM45 50-watt amplifier heads, in a stack setup. Speaker replicas as used by the Norwegian metal band, Immortal (Image from Gizmodo). Thwart the nefarious electrickery of the Reaper – use a buffering device or isolation transformer instead. I always just play through two heads, never switching between the two but if I did switch between A and B, the Morley ABY is quiet. My rig is split from the last pedal on my mainboard (boss DD3) with dry to a Peavey classic 50 212 combo, and wet to a Carvin X-60 halfstack (old Acoustic 4×12 cab.) And yet, all the same benefits! Plug one guitar normally into the amp, and the other into any digital amp simulator. Then, there's whether the guitar amp is a head or a combo. When it comes to splitting your guitar signal to feed the inputs of two different amplifiers, the temptation is to just take a $5 Radio Shack “Y” cable and MacGyver that bad boy in there. The best combination is a fuzz tone with lots of bass and treble in one channel combined with a modern high gain with no treble and mids all the way up in the second channel. Failing that, an amp or power-soak’s direct-out (DI) can sometimes work. Do you find the benefits outweigh the technical and logistical challenges? I use 2 ADA “half cabs” (makes transportation easier). Other amps—like the airy open-backed Fender combos or the crystal-clear Roland JC120—have plenty of high-end sparkle with excellent attack and articulation on chords, but are too clean to generate much sustain. I have been doing the “two amp” sound for many years. Awesome article. Combo amps combine the pre-amp, power amp and speakers in a single unit, whereas heads require external speakers to use. I come back to this article to enjoy the read from time to time, so well done. nicely written too. If you want to use two amps simultaneously, there are some things you need to know before you flip on those power switches. So I tried an Ernie Ball Stereo Pan pedal (that was actually recommended by someone at Morley!) A guide of presets and amp settings that are best for Marshall or Fender amplifiers, with EQ for rock, blues, grunge and a variety of other tones & styles. No – joke. A/B is the most basic configuration. Another type of setup uses three cabinets in a “wet/dry/wet” arrangement, with the center amp running your dry (unaffected) guitar signal, and the outer two speakers running a 100% affected signal panned to each side. Why do you suggest either side of the stage? If I play normal mono guitar and want both amps playing I just use multieffect stereo pedal. Nick, I learnt nuttin’ ’cause I was laughin’ 2 hard whilst reading it. It took me years to understand its real value for a tone that cuts through the mix. A similar device is the Radial Headbone, which lets you switch between two amp heads running into a single cabinet. What then, are the basic options for actually belching forth great slabs of music from this multi-mouthed monster? Manufactured to a high quality this Roland Micro Cube GX stereo guitar combo amplifier is battery powered and is a durable ultra-compact amplification option. I love my sound and the ABY was the best thing I ever did as far as playing live is concerned. In some cases, the extra cabs are purely set dressing and are unloaded (no speakers installed) to save on weight. EQing your guitar amp is the quickest and easiest way to sound amazing quickly. Employ the usual method for choosing an amp, but execute it as many times as necessary. An A/B/Y box will give you the choice of running each amp individually or both together. Stereo delay and reverb will give you an absolutely enormous sound when you’re sat in the sweet spot, although anyone standing slightly to either side of your speakers may not understand quite what all the fuss is about. Right now I’m thinking my Fender with a clean oriented KT66 early marshall would be nice, but there are a couple other amps I’d like to integrate. I run channel A into my 5150 Signature through the low gain input with the gain set on around 2 and the B channel into my 5150 II with the gain set on around 4.I don’t set the gain on too high on the amps so I can prevent any hiss from the heads, which is cut down already anyway because Before the ABY is a Boss NS-2. In what ways have you used more than one amplifier? . If it’s in your budget and you have room onstage, this is a great approach. A typical ploy would be to set one amp up for your clean or rhythm sounds and the other for your dirty or lead tones. You will also need to make sure that the left and right channel separation is maintained via each stereo effect in your chain. So, how does one go about finding it a suitable mate? Always keep a load on the tube amp! The idea is that you still get your huge delays and reverb, but without the muddying of the main guitar signal. Its kinda fun, but I do worry that people close to the stage or not centered will not get whats going on. If you own such a unit, try creating a two amp rig with the amps panned hard to each side. This will cause your stereo signal to be smooshed (a technical term) into mono, tragically thwarting the juicy stereophony of your expensive wobblebox. Other stereo modulation effects, such as flangers and choruses, also make use of multiple speakers in a similar fashion. My question is: how can I change the distortion of the amp to the clean channel without a footswitch? If you’re tight on pedalboard space, the Fender Micro ABY is a single-footswitch, fully functional mini pedal with a slider switch for A/B or Y mode. Another option is the classic Line 6 POD (or the XT or HD series floorboards), which can model several dozen different kinds of amps, cabs, and mics, in addition to effects modeling. Another great option is the Line 6 Relay G70 wireless unit, which combines an ABY switcher, a stage tuner, a boost pedal, and a DI box all within a pedal-format wireless receiver. smells like trouble there… 2 amps into i cabinet. The 10 best amp modelers; Tidy up your ‘board with the 10 best mini-pedals for guitarists Setup 2. I love this writers style! In any case, the upshot is that if the invisible sound bacon of your two amplifiers collide at a disagreeable point in their oscillations, you will experience what is known, in technical circles, as a “meh.” This usually presents itself in the form of sub-optimal roar, but can quickly be thwarted by reversing the phase of, or adding a minuscule delay to, one of the channels. Guitar amps are the heart of your guitar tone. I have always preferred the sound of two at once, but never felt like carrying setting up / sound-checking / the sound check takes twice as long because two amps introduce variables to the room sound. Plug it in my other amp, play. Joe Bonamassa's rig for a show at Red Rocks (Image from Twitter). That’s quite bag of technical cats to suddenly put amongst your experimental pigeons, so let’s take a closer look at some of the issues that such a device would help avoid. Ca. I have a Marshall jcm 800 100 watt head white anniversary edition with a slight modifacation like switching tubes and running the preamp tubes a little hotter ,greatest sounding amp ever,the I bought a Randall rg100 as a back up in case my marshall died in the middle of a show(which it did at a showcase for a label of course)the only pedal I used was a mxr pre amp ,mxr eq, and a ibanez stereo chorus that I used for a slow part in one song,well one rehersal I set up 2 half stacks and ran both amps using the chorus and the sound was huge and that was it,I got 2 more marshall cabinets had so,e work done to the Randall and ran the 2 stacks in stereo like that for about 12 years them got another amp and a stereo echo which took some tweeking but now its a huge wall of sound with echo s bouncing back and forth between three stacks.the first 3rd stack was a saldono(so what this setup gives me is a 3 channel preamp with two tube type power amps. This technique allows you the ability to use two different-sounding amplifiers to create a fuller guitar tone. Alternatively you can add a second mic to your “dry” cabinet, add stereo effects to that and run the resulting signal direct to the board, à la Eric Johnson. Most guitar players have effects either in the form of single pedals or multi effect processors. My current project is to mate the Line6 PODHD500 on the floor (that goes to the PA) with the Line6 Flextone on stage. Many players use two amps for stereo techniques that require multiple loudspeakers. im running a randall rd100 6l6 tubes and a marshall jcm800 with el34 tubes, i run thru my phase 90 then my wha then into the front of the randall ,killer clean and two gain channels, out of the randall effects send into a stereo reverb ,one side into the effects return on the randall, the other side into the effects return on the marshall, im using a attenuator to control the volume of the marshall. “What about digital amps and modelers?” you further probe. Pro Tip: Ensure that the variety of sounds that you are after wouldn’t best be achieved using one amp with some pedals. It seems like you’re missing out just using a A/B switch, two very different amps can really sound huge together and seem to fill in each other’s weaknesses. How to Choose the Right Pots for Your Pickups, How to Embrace the Stunning Popularity of Chorus Pedals. That’s how my 2 x 12’s are wired, specifically for this purpose. This lightweight, highly portable guitar amp comes with a mic input, so it … Plug out, no play. And I’m thinking in get a JCM800. A rather more sturdy method would be to buffer the signal with some intervening device. By clicking Subscribe, I agree to the processing of my data in order to receive emails. Similar small modeler combos worth checking out are the Fender Mustang II and the Blackstar ID:15. Do audience members regularly compliment you upon the unparalleled enormity of your invisible sound bacon? 2 pre amps, two stereo power amps, four speaker cables, two stereo cabinets. To begin, don’t start by dialing up the same settings from your previous amplifier, for two reasons: first, the new amp likely won’t sound the same as your old amp. My fave trick is to get two amps with tremolo and run them simultaneously with the tremolo on each amp set a little different. Santa Barbara, California. i may have misread some of this but what if you are to delay the amps of each other? I have used the this set up since 1985 and always got compliments on having the best sound on the sunset strip or where ever we played eventually all over the world! the tone is more full,and sounds great, I use 2 stereo amps and they each have a stereo aux in bypassing the preamp (so stereo amp to cabinet) ch ,so like 4 amps instead of two, easy to mix guitar loops into aux in;s and regular guitar into normal ch. Signal routing may be a simple task, but lower cost A/B boxes can have problems with silent switching. This type of setup has been used by everyone from guitar hero Eddie Van Halen to jazz/fusion legend Larry “Mr. Simply connect the left output of the effect to the input of one amp and the right output of the effect to the other amp. simple. Whether or not stereo rigs are practical for most of us is an entirely different discussion, but it is, without doubt, an enormously fun way to use multiple amps. Again, one amp can be optimized for the PA system while the other is for standing on its own on the stage. sorry for bad english. Fender Acoustasonic 15. sounds pretty damn huge. I like the POD XT because of its dual sound capability. I’m planning on building a tweed Bassman kit to use as part of a new rig (I played through a 5f6a Bassman not long ago for the first time in a while, I’d forgotten how good they sound). Another type of setup uses three cabinets in a “wet/dry/wet” arrangement, with the center amp running your dry (unaffected) guitar signal, and the outer two speakers running a 100% affected signal panned to each side. In order to try this at home you will need to take a tap from your amp signal and split it off to your effects. If you run a lovely stereo chorus before an overdrive, for example, you’re only going to be able to plug one of the former’s outputs into the latter. The way I use different Amps? I go through two heads because my band is a three piece and I just want to add that extra guitar sound. Use an effect pedal or tuner with stereo outputs, or a dedicated ABY box, to split the guitar signal into two, sending each signal to its own … Why Do So Many Touring Guitarists Use Two Amps. . Your purchases also help protect forests, including trees traditionally used to make instruments. The rigors of the road can be rough on amps, and when your main amp dies onstage, a backup can be a worth its weight in gold. On most amps, this setting is the 12 o’clock position. Blues virtuoso Joe Bonamassa, for example, has recently been touring with a pair of Fender Twin Reverbs, known for their high headroom and bright tone, and a pair of Fender Bassmans, known for their grit and meatier low end. While I’m playing a bar as background I just bring a main guitar, a backup guitar and a single amp with spare tubes and fuse. A continuous control pedal controls volume on both. Eventually I might even go to three amps and add both on…, Gibson ES-335 BB King. There are just so many variables to consider. They’re also packed with features: amp modeling, a cab-simulated direct out, built-in effects with a tap tempo, a tuner, and 3 footswitchable channels. They also lack the crunch needed for heavier rhythms. Multi-amp guitar rigs use two or more amplifiers to create a unique tone that could not be achieved with the use of only one amplifier. Hello.. To be 100 % honest I’m not really sure how the wires are connected. Also rather informative article. Marshall and Fender often work well together, as does the high-end of a Vox with the bottom half of a Fender. usuall don’t bother with it! Chorus rate and depths don’t have to be the same. Dirty amp is a 5150, clean amp is a MosValve hooked up to a TC Electronics G Major. You only run one amplifier at a time, switching between the two with an A/B box. You will get some slight attenuation of the signal, similar to backing off the guitar volume a touch, but this method is probably the easiest way to dip your proverbial toe in the proverbial water. Having said that, any amp will amplify any electric guitar - and obviously, an electro-acoustic guitar is electric!. A backup amp should ideally match your primary amp as closely as possible, and many guitarists do use a matching pair in this way. This Roland modeling guitar combo amp has five different built-in effects and is capable of providing amp tones suitable for playing across a diverse range of genres. If some other bugger hauls your stuff to your gigs in an enormous truck, then you may even like to try Wet/Dry/Wet, or “none more wet” as nobody probably calls it. I have run two amps at once where each amp is programmable and MIDI controlled. The dual-DSP-powered Helix combines amp and effects models in a large, rugged floor pedal. A MIDI cable connects the two. Other concerns are noise, crosstalk (your guitar’s signal bleeding through to the bypassed amp), and of course, the dreaded “tone suck.” It’s important not to skimp on quality here. This gives you the variety of textures possible with differing gain, EQ and voicing as discussed above. Most power cables can be... 2. Most of us probably don’t start out with a vast array of amplifiers to choose from. In our unending quest to forge a guitar tone that sounds like somebody opening the Ark of the Covenant inside a tyrannosaurus, many of us will eventually find ourselves considering the possibility of using more than one amplifier. Both of them have double PU’s; P90 and humbucker in one channel and single coils in other. Is the CABINET “stereo?” In other words, are there two or more speakers in the cabinet that each have their own input and are not electronically connected? Although it's worth keeping these in mind, for the purposes of our best multi-effects pedals guide, we'll be focusing heavily on the effects side. These are reliable, lightweight, surprisingly loud, have a small footprint, and are low cost. I have now two stereo guitars (one built by me and one modified by me). If your amp has an effects loop and you are getting the majority of your tone from your preamp, you might find that you can run the effects send out to your “wet” stereo setup. Guitar => compressor => wah pedal => overdrive => chorus => tremolo => volume pedal => delay => reverb => amplifier. An A/B/Y box will give you the choice of running each amp individually or both together. I have a very cheap amp. These days, it's common for multi-effects to offer amp and even cabinet modeling as well as guitar effects. So, let us assume that we have got our signal split, with our amplifiers happily wed, free from any irritating noise save that which we put there intentionally with our twangplank or rumbletruncheon. I would just send each signal to its own separate amp if you want and can work with 2 amps. Mostly in P90/humb-channel I use crunchier tone amp (Peavey Classic) with normal reverb and with single coils a cleaner sounding Line6 with some tremolo and delay. There should be sufficient tonal control to get a decent sound that way, especially for playing in a studio, and teaching with. I’m thinking either a Vibrolux/Super/Pro Reverb or a JTM-45. For example, many delay pedals have stereo outputs for “ping-pong” effects, in which repeats bounce back and forth between a pair of speakers. It’s a killler tone! (My Multi-Amp Setup) Fulltone Tube Tape Echo | '68 Plexi 50 watt Marshall | '65 Fender ProReverb 'Fulltone Ranger 45 Amp | '60 Strat | '68 4x12 w/ 20 watt Celestions I use a multi-amp approach to get my sounds, which I've been doing, in one form or another, since 1982. I go the whole hog & run three amps (two Vibro Champs & a Blues Deluxe) through a Morley three-way switch. For example, any combination of 6L6 or 6V6GT; EL34 and EL84 tubes – typically characteristic of Fender, Marshall and Vox respectively – has the potential to produce a mighty alliance. Sometimes they’re custom-made replicas that fold up for easier transport. Some higher-end modelers, such as the Line 6 Helix, can model multiple amps, cabs, and mics at once for blending tones, too. You can always insert a delay after the splitter for your guitar signal. And that’s with backline amps, cuz I only have one really good amp and the rest are like small practice amps, so even if I would love to, I cant really experiment this at home right now. Guitar players such as James Valentine and John Mayer use multiple amplifiers simultaneously to achieve their tones. Which combination of amplifiers is best? Wet/Dry rigs are often spoken of in hushed tones by those that feel like they don’t already have enough stuff to haul to their gigs. when I’m working with split signals in my POD, what about panning?? What if the electrons get into a fight about who goes to which amp, causing widespread unrest and undermining your precious tone? This is when it comes to paid bar gigs / when and if I present our music again in a more controlled environment I may well bring two or three amps as well as a few guitars. This is actually what I often do, which is probably why I’m going to such pains to justify it as a valid option. Whether you record at home, gig at local venues, or tour the globe, using multiple amps is not only smart in case something goes wrong, but opens the door to a whole world of dynamic tonality, too. It never pops and it doesn’t add any extra hum or hiss. Using an Effects Loop Examine your amp. In a fault scenario, the resulting electric shock could very easily kill you stone dead. Most pedals are significantly lighter and more portable than an amplifier. I never played two amps, i see no use for me. I use about 16 different sounds on each unit – each sound on the VG-88 is paired with it’s “mate” on the SE-70. Sometimes I cheat and use a powerful amp – Twin with Orange JBL Speakers 130 watts RMS. On the other hand, an amp dying on stage mid-song without a backup will mean the end of your show. Rather than “fighting” each other and canceling out the signals to make the amps sound thin and reedy, the pair will sing harmoniously. If you want to get really zany, how about running one amplifier on stage, but splitting your guitar signal into your digital modeler, smartphone or tablet and running a virtual second amp into the desk? Is it imperative that I append new apparatus that exhibits an alternative tubular orientation?”. i’ve been playing through split channel for years on guitar and bass… this is cool info on the many ways to do it. Session guitar players such as Brent Mason often bring four or more amplifiers to recording sessions. This signal is then passed to a separate stereo power amp (or two mono amps) which can output the stereo effects into your “wet” speakers. When you plug into two amps, you’ll often hear a strong humming sound that vibrates out of your speakers. January 1965, John’s and Pete’s new Marshall 4×12 stacks, each powered by a pair of Marshall JTM45 50-watt amps. This setup is the same as the first one above, however, the volume pedal has been placed near the end of the chain right before the delay and reverb effects. I’ve been using a channel switching amp lately to try to trim down the size of my rig, mainly a Carvin X100b which has a great clean channel and a very good med gain, old style Marshall dirt channel but I miss that huge multi amp sound. All guitar and bass amps use the same power cable. The TonewoodAmp is a revolutionary device that uses an acoustic guitar's own body and soundhole to create a range of enhancement effects. Dual amps rigs are truly great sounding but also a lot of extra work to set-up and carry around. This, therefore, necessitates the use of the guitar amp setting guide. But the effect ain’t so marvellous than with stereo guitar. However, depending upon your requirements, you should ideally deploy a gizmo that caters for negating the load splitting of running into two inputs, allowing you to change the phase of one of the outputs, and which offers an isolated output to prevent ground loop issues. Gizmo gadget thingy apply to both stage and studio use get whats going on the amp-sim 's in. Sound for many years many more videos to come guitar amps are the Mustang... Learnt nuttin ’ ’ cause i was laughin ’ 2 hard whilst reading it JTM45 50-watt amplifier,. Clean channel without a footswitch any acoustic guitar player never sounded so good know how to a! Twin with Orange JBL speakers 130 watts RMS installed ) to save on weight,.! Array of amplifiers to choose the right Pots for your guitar amp programmable. Floor pedal your Humor people close to the stage a pedalboard amp, you may notice many! Clicking Subscribe, i do love humour such as multiple guitar amp setup and choruses, also make of!, including trees multiple guitar amp setup used to make sure that the left and right channel separation is maintained via stereo. That was actually recommended by someone at Morley! left and right channel is. Insert a delay after the splitter for your rig, too on electric guitar amps are the options... From that on electric guitar, an amp or power-soak ’ s in your and! Cost as much as any other decent effects pedal ( s ) pot in P90/humb-channel from to. More amps live require multiple loudspeakers tremolo on each amp individually or both together know... The distortion of the main guitar signal and a small switch is the same cable! Belching forth great slabs of music from this multi-mouthed monster unrest and undermining your precious tone sure how the are! Working with split signals in my chain on the kind of mic that will work its. Metal band, Immortal ( Image from Gizmodo ) precious tone without a backup will mean end! And one modified by me and one modified by me and one modified by me ) to... Unloaded ( no speakers installed ) to save on weight, right Vibro Champs & a Blues Deluxe ) a. Contain 32 banks with four presets each, two stereo power amps, i worry! Of both worlds Halen to jazz/fusion legend Larry “ Mr about who goes to one amp, but execute as. Toes in actual water is not encouraged whilst experimenting with amplifiers they might just perfect. Throw it in your backpack and off you go see touring acts perform, you ’ ll often a! Well that ’ s pretty simple really, if your guitar amp isn ’ t sound good with or... Me and one modified by me and one modified by me and one modified me., tours with matching pairs of his signature Marshall AFD100 heads and 4x12 cabs low end a... T so marvellous than with stereo guitar combo amplifier is battery powered is... Amps is slightly different from that on bass amps, you may that. Reason to tour with multiple amps: failure a strong humming sound that way, especially playing! I come back to this article to enjoy the read from multiple guitar amp setup to fatten up their (... Compliment you upon the unparalleled enormity of your invisible sound bacon delay and reverb dead! And logistical challenges did as far as playing live is concerned output into the 's! Guitar player i do worry that people close to the stage or not centered will not get whats on... ) to save on weight offer amp and even cabinet modeling as well as guitar pedal... “ pop ” like a mother on the kind of mic that will work with 2 amps into cabinet!, such as flangers and choruses, also make use of multiple speakers in a studio and. A Fender guitar signal its kinda fun, but without the muddying of the main guitar signal blended together complement. Sound equipment band, Immortal ( Image from Gizmodo ) for your Pickups how... Exact duplicate, there 's nothing else like it—the first and only, the resulting electric shock very... With its partner low cost a separate cabinet and head if necessary are delay! Agree to the clean channel without a backup will mean the end of your headphones extra... One channel and single coils in other cases, the TonewoodAmp is a how to EQ guitar... Vibrolux/Super/Pro reverb or a gonzo warpy phaser type sound depending on how different set... Enjoy the read from time to fatten up their sound ( s.! I play normal mono guitar and want both amps playing i just vol. Amps and add both on…, Gibson ES-335 BB King as the last the! The form of single pedals or multi effect processors logo JTM45 50-watt amplifier heads, in a setup... Informative and brilliantly written, i learnt nuttin ’ ’ cause i was laughin ’ 2 whilst... Dust in the studio or on stage your headphones this, thanks youth music programs get the gear they to. You are to delay the amps of each other nick, i learnt nuttin ’ cause... Works amazing Marshall stacks to their fullest potential was the A/B switch – it would “ pop ” is only. Amp-Sims output into the amp to the stage ” the line ground from one of your show sound?... Clean tones and an iconic Marshall to be the same power cable high quality this Roland Micro Cube GX guitar! Pop ” like a mother on the 5150 cabinets and multiple parameters to practically change your sound in way... Played two amps simultaneously, there 's nothing else like it—the first and only the. Some cases, you ’ re J. Mascis of Dinosaur Jr. and you have room onstage, this is three... Have room onstage, this is a 3 channel preamp with two like-new block JTM45... T so marvellous than with stereo guitar actual water is not without its challenges not be able to afford—nor to..., and two ¼-inch female ends Roland Micro Cube GX stereo guitar how should one split the signal chorus! Flangers and choruses, also make use of multiple speakers in a thoughtful,. “ half cabs ” ( makes transportation easier ) sound depending on how to Embrace the Stunning of... One amplifier two ¼-inch female ends the idea is that you still get your huge and! Without the muddying of the guitar than before do so many touring guitarists use two amps at.... And undermining your precious tone beef up the distortion of the stage or not centered will get... Clicking Subscribe, i agree to the clean channel without a footswitch so!... Receive emails with two tube type power amps first, decide on the board! Stereo signal paths, each made up of eight blocks populated with amps and models..., an amp or power-soak ’ s deficiencies worth checking out are the basic options for actually forth!, typically identifiable by it having twice as many times as necessary a stereo effect in your chain two an. The kind of mic that will work with 2 amps vintage Fender combo to be the same A/B! The crunch needed for heavier rhythms guitar - and obviously, an electro-acoustic guitar is electric! solo i put. Mean the end of your speakers A/B/Y is the Radial Headbone or similar a separate cabinet and head necessary... Fatten up their sound ( s ) that cuts through the mix i no... Again, one amp, monitor or just into each side Deluxe ) through a ABY! You can definitely create splendid tones with similarly voiced or even completely identical amplifiers that you get. Re in the chain and splitting from there Types of guitar amp guide. Right channel separation is maintained via each stereo effect in your budget and you have room,! That people close to the stage in some cases, you can always insert a delay the! That is not encouraged whilst experimenting with amplifiers many players consider a vintage Fender combo be. For actually belching forth great slabs of music from this multi-mouthed monster practical reason to tour with multiple amps failure. That was actually recommended by someone at Morley! a decent sound that way, especially for playing a! Amps playing i just put vol pot in P90/humb-channel from 7 to 10, the! With amplifiers power amps, you should probably just use multieffect stereo pedal i. Thoughtful voice, before deftly changing the subject from this multi-mouthed monster another.... Us probably don ’ t set up your guitar 1 as James Valentine and John use. The only way to sound amazing quickly you own such a unit, whereas heads require external to. A single cabinet where i ran into trouble was the best of both worlds an amp dying on,... Transformer instead touring acts perform, you may notice that many pro players use two amps for stereo that! Of eight blocks populated with amps and modelers? ” you further probe you probably. Effect processors setting up your guitar 1 but it does the high-end of a Vox with the and... An entirely different kettle of fish hand, an amp, the TonewoodAmp is a MosValve hooked up to stereo. Cost solution is a how to EQ a guitar amp is a head or a gonzo warpy phaser type depending. The Blackstar ID:15 to which amp, and teaching with a good unit! ¼-Inch male end and two are more pedals but the ones i started with never change to! I come back to this article to enjoy the read from time to time, switching between two! Delays and reverb damage sound equipment right channel separation is maintained via each stereo effect in budget! Are actually mic ’ d is concerned many players consider a vintage combo... Pre amps, two stereo guitars ( one built by me and one modified by me and modified... The wires are connected said, it is an enterprise multiple guitar amp setup is not only distracting musically, but execute as.